Piano studies and Prix de Virtuosité  in Geneva, then work on twentieth century music with Claude Helffer in Paris. Recipient of numerous prizes in national and international competitions, as soloist or chamber music player. Until age 30, concert performer in Europe, in the USA, in South America, numerous radio and TV recordings. At age 30 stops going on stage. Invited to teach piano and fortepiano master classes in numerous institutions in Europe, Brasil, China… Member of the board of the Bienne/Bern highschool from 1984 to 2001.Initiator of the « contemporary music workshop » since 1989. Initiator of a pedagogical project in Bolivia, a collaboration of the music academy with Pro Helvetia and the University of Sucre. Vice chair of the of the Swiss Association of Musicians   until 2001. Until  2009, artistic director of the Paul Klee Ensemble, resident in the Paul Klee Center. In the context of transdisciplinary projects, collaboration with such artists as Bruno Ganz, Alfred Brendel, Roman Signer, Marianne Pousseur. Pierre Sublet has specialized in music of the second half of the twentieth century. He has staged the world premiere of several dozen works. Today he teaches piano, instrumental theatre and contemporary chamber music at the HKB, where he serves as dean of piano classes. Besides, Pierre Sublet shows deep interest in good cooking, as well as in the repertoire of the eighteenth and first half of the nineteenth centuries, performed on period instruments, pianoforte or clavichord.

Jordi Camell, a catalan pianist with an extended professional career, received his training in Tarragona, Barcelona, Paris and London. As an artist with a distinguished communicative capacity he has been described as a pianist gifted with a transparent and brilliant sound with an extensive range of colours. In 1984 he receives the “Diplôme Supérieur d’Exécution” as premier nommé from the École Normale de Musique in Paris. His constant strive for exploring new repertories drew him participate in concerts throughout Europe together with contemporary music ensembles such as Barcelona 216, Solistas de Ibercamera and the Orquestra de Cambra del Teatre Lliure. He also performed as a soloist with the OBC of Barcelona, Orquesta Sinfónica del Vallés, Filharmonia de Cambra de Barcelona, Orquesta Sinfónica Empordà-Llenguadoc-Roselló, Orquesta Ciudad de Granada,  and others interpreting concertos by Schumann, Mozart, Shostakovich, Poulenc, Gershwin, Albéniz, Brahms, Grieg, etc.  A lively musician open to all styles Jordi Camell collaborates closely with Vicky Peña for a Kurt Weill recital (with over 50 performances throughout Spain), with Cesc Gelabert (for the show Preludis, which toured through Spain, Europe and the United States for three years), accompanying him with pieces by Bach, Chopin, Debussy, Mompou and Carles Santos, as well as with Mario Gas (Miguel Hernández recital) among others. Jordi Camell released Integral para piano de Pau Casals with World Premiere Recording (Ed. Columna Música, 2012), “Chopin Variations” commissioned by the Consulate of Poland in Barcelona (a CD with works by the Catalan composers Mompou, Balada, Brotons, Amargós and Camell, who wrote pieces for piano on themes of Chopin (Columna Música, 2013), Antes y después de Iberia by Isaac Albéniz (Ed. Columna Música, 2009), the integral works for piano by Robert Gerhard and various Goyescas by E. Granados (Ed. Moraleda, 1994), Dúo clarinete y piano with Josep Fuster (Anacrusi, 1998), Works by Ricard Viñes, Francis Poulenc and the Pictures of an Exhibition by Modest Mussorgski (Ed. Discmedi, 1999), Binomis with the Cobla Sant Jordi (Ed. Columna Música, 2008) etc. Parallel to his concerts Jordi Camell performs pedagogical activities like master class and concerts in Xiamen in China, in the Chopin University of Music in Warsaw, in the Faculty of Arts in Nis, Serbia, in the Gnessins Academy of music in Moscow, in the West Virginia University (West Virgínia, USA), in the University of Kentucky School of Music (USA), in the Academy of Music in Krakow (Poland), etc. Currently holds the position Professor for Piano at the Catalan Music University Escola Superior de Música de Catalunya (ESMUC) in Barcelona.

Dianna Vasiu is an award-winning pianist from Timisoara, Romania. Her wide artistic activity includes concerts with Philharmonic orchestras, solo recitals, chamber music, four hands/ two pianos concerts and also concerts with Opera singers. She has performed in Romania, Germany, Hungary, Latvia and Spain. Dianna currently works at the Faculty of Music and Theater in Timisoara, teaching also complementary piano for students in the Pedagogy and Opera Singing Departments. She graduated from The West University of Timisoara, The Faculty of Music, with majoring in Instrumental Interpretation – piano and Musical Pedagogy, and she has a Master’s Degree in Interpretation and Theory of Contemporary Musical Art – piano. Currently she is a Ph.D. student, working on her thesis ”Artistic Imagery in Claude Debussy’s 24 Preludes”. Dianna pursues a rigorous continuous education plan in piano through master classes with renowned pianists and musicians: Albert Mamriev, Timur Sergeyenia, Gabriel Amiras (Germany), Felicia Stancovici, Remus Georgescu, Ioan Fernbach, Daniel Goiti, Dragos Mihailescu, Manuela-Iana Mihailescu (Romania), Lea Adam Litzler (Franţa), Tamas Vesmas (Noua Zeelandă), Logan Skelton, Zhihua Tang (SUA), Maurizio Barboro, G. Lanfranchi (Italia). Throughout her career, Dianna has been awarded more than 40 national and international distinctions, special awards and other excellence awards for participating in various festivals, competitions and artistic appearances. Inspired by her daughter, she founded Doremi Association for Children. The Association promotes music as a way of life, with musical programs that are created and implemented with a foundation based on encouragement and with the main goal of optimizing the individual potential of each child. Numerous appearances in media praised Dianna’s work, be it as a soloist pianist, in bands or in her capacity as Doremi Association for Children President, as a trainer for early musical education or as a planner for education, musical and charity events, with a high involvement in the community life.

Jelena Simonović-Kovačević earned her Bachelor’s degree in piano performance at the Academy of Arts, University of Novi Sad, under the guidance of the esteemed Maestro and professor Kemal Gekić.  In 2002, Ms. Simonović-Kovačević earned her Master’s degree in piano performance from Syracuse University (Syracuse, NY, USA) under the guidance of Maestro Wei-Yi Yang.  Ms. Simonović-Kovačević held both a graduate and a teaching assistantship during her studies at Syracuse University. She was also awarded the Irene Crooker Award for Excellence in Piano Performance. In 2005-2006, she studied for a Master’s degree in piano pedagogy at the University of Missouri (Columbia, MO, USA), where she also held a graduate teaching assistantship. She is a doctoral candidate at the Academy of Arts in Novi Sad. Ms. Simonović-Kovačević is a prize winner in several national and international competitions, including the Missouri Music Teachers’ Association in Columbia, Missouri, the International Piano Competition in Moncalieri (Torino), Italy, and the Yugoslav Piano Competition in Niš. Additionally, she was a semi-finalist at the International Piano Competition in Vibo Valentia, Italy.  She has played in master classes for a number of internationally recognized musicians, among them Naum Shtarkman, Boris Berman, Kemal Gekic, Diane Andersen, Arbo Valdma, Rita Kinka, and Svetlana Dejanović. She has held positions in numerous music organizations: The Isidor Bajić Memorial, the Yale SMN, the Odyssey Chamber Music Series, and the KotorArt Festival, to name only a few. She attended the 6^th Annual World Piano Pedagogy Conference in Orlando, Florida (2001), Piano Pedagogy Conference in Austin, Texas (2006) as well as the World Piano Conference in Novi Sad (2014-2018.). Ms. Simonović-Kovačević began her professional career at the Isidor Bajić School of Music, as a piano professor—a position she held for more than 12 years. From 2002 until 2005, she was an honorary assistant at the Academy of Arts in Novi Sad, teaching sight-reading, history of pianism, and history of keyboard literature. Since 2014, she has been a professor at the Academy of Arts in Novi Sad, teaching Complementary Piano. Her students have garnered more than fifty prizes at national and international competitions. Ms. Simonović-Kovačević also originated a category in the field of Complementary Piano at the Isidor Bajić Festival in Novi Sad, where she furthermore served as a jury member. In addition to her relentless work championing young professional pianists, Ms. Simonović-Kovačević, also, is an active participant in her country’s cultural life and the dissemination of classical music to those who are either engaging in music in an amateur capacity, or have not been exposed to classical music at all. She is dedicated to educating and awakening her community to the importance of music, and, more specifically, to the importance of playing the piano. She has performed as a soloist across United States of America, Belgium, Italy, Slovenia, Czech Republic and Serbia. In 2014, Ms. Simonović-Kovačević gave a talk in 2015. at the  World Piano Conference in Novi Sad called “‘I always wanted to learn to play the piano’: Teaching Adult Piano Beginners.”  Since then, she has become the first professor in Novi Sad to give master classes to adult piano beginners. Ms. Simonović-Kovačević is a member of EPTA Voyvodina, EPTA Serbia, WPTA, MMTA, MTNA, Woman’s Aglow Fellowship and she is a certified instructor for the Associated Board of Royal Schools of Music (ABRSM.)

DRAGAN JOVANOVIĆ, MA (1981) finished the Faculty of Arts in Niš in 2005, in the class of prof. Dragoslav Aćimović, MA, and later obtained his MA degree at the same faculty, in the class of prof. Zoran Jančić, MA. During his studies, he has formed the chamber ensemble Trio Graziosso, and after finishing his master studies he has become a member of the piano trio Constantinus. Both ensembles have actively participated in enriching of the cultural life of the region. Since 2007, he has worked at Faculty of Arts in Niš, in title of the Assisstant Professor at the subject Piano, at Department of General Music Pedagogy

Nataša Cvetković (1981) was born in Leskovac, Serbia, where she has finished Elementary and Secondary music school at the instrumental piano department. She has graduated from the Faculty of Art in Nis, in class of professor Dragslav Acimovic,with the highest mark. During her studies and later she has successfully performed as a solist, a chamber musician and an artistic accompanist in numerous concerts, competitions and festivals. Her students have won prestigious awards and honors. She is a permanent member of the commitee for the “International student complementary piano competition”, organized by the Faculty of Arts in Niš. Since 2018. she has been a head of the department for the complementary piano at the Faculty of Arts in Niš, where she works in the title of assistant professor.

DRAGAN TOMIĆ, MA (1977) graduated at Department of Composition in the class of prof. mr Vojna Nešić. He started his postgraduate studies in the class of prof. mr Goce Kolarovski at the Faculty of Music Arts in Skopje, and finished them in the class of prof. dr Dimitrije Bužarovski. He has upgraded his knowledge and cooperated with the renowned professors, prof. mr Srđan Jaćimović, composer, also prof. mr Goce Kolarovski, composer and prof. dr Dimitrije Bužarovski, composer, pianist and musicologist. He has been the author of the compositions for various instrumental, vocal-instrumental and vocal ensembles. Among his compositions for the solo instruments, chamber and symphonic music are: The Symphonic poem no.1, Medijana – for the soloists, chamber choir and orchestra, The Uverture for the voice and symphony orchestra, The Sounds –for the chamber orchestra, Constantinus’ Fuga for string musicians, Roosters’ Singing (Petlovi pojev) – for a flute, piano, vocal and the chamber choir, The Female suite – for a female choir, Kyrie eleison – for mixed choir, Niš phantasy– for wind orchestra etc. He has cooperated as the accompanist, composer and arranger with the Academic Choir of the Students’ Cultural Centre of the University of Niš, the Female Choir of Students’ Cultural Centre (SKC) of the University of Niš, Niš Chamber Choir, the Academic Chamber Orchestra of Students’ Cultural Centre (SKC), Niš Symphony Orchestra, the Chamber Orchestra Concertante of the faculty of Arts in Niš. His works have been performed at the concerts and festivals in Serbia, Macedonia, Slovenia, Bulgaria, Greece, Spain, Russia, Poland and England. During period 2006-2010 he was the Secretary of the International choral festival in Niš (IHS). He was Vice-dean for education during the period October 2012- October 2015. Currently, he works as an Associate professor at the undergraduate and master academic studies of the Faculty of Arts in Niš.